![]() Instead, in 1920, he headed to Paris, meeting various Surrealist artists including Pablo Picasso, Andre Masson and Tristan Tzara, who had a profound impact on his practice.įollowing his return to Montroig, Miro described how he “immediately burst into painting, the way children burst into tears.” In the years that followed Miro moved between Paris and Catalonia, spending Summers in Spain and winters in Paris. The Influence of Parisįollowing graduation, Miro struggled to find recognition for his art in Barcelona. His early paintings spanned various subjects including still-life, portraiture and landscape, characterised by vivid colours and expressive mark-making, which revealed the influences of Vincent van Gogh, Paul Cezanne and the French Fauvist painters, combined with a love of the naïve, vibrant language of Catalan folk art. Miro began studying art in Barcelona in 1912, where he discovered the work of various avant-garde artists and Catalan poets, writing, “I make no distinction between painting and poetry.” As a student he experimented with various techniques, including drawing “by touch” rather than sight. Vegetable Garden with Donkey, Montroig, 1918 Painting and Poetry Miro’s family bought a farm in the countryside of Montroig outside Barcelona as a place of refuge for Miro, and it was here that he was able to find his true calling as an artist. He remained there for two years, but left after having a nervous breakdown, followed by a severe bout of typhoid fever. Though he demonstrated an early aptitude for drawing, Miro’s parents pushed him towards a more sensible career choice, encouraging him to study at the School of Commerce before taking on an office job as a clerk. Joan Miro was born in 1893 in Barcelona to a family of craftsmen his father was a watchmaker and goldsmith, while his grandfather was a cabinetmaker. ![]()
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