![]() Yet, Pixar wanted something that was more exaggerated and stylized look-wise, as their character scales needed to be much bigger to fit into the style of this movie. The group began by looking at various character transformations that have occurred on-screen, such as Mystique’s transformation in X-Men, which involved feathery, scaly textures. The goal was to make the transformation bold and crazy, but not creepy. “It took us about a year to figure it out,” says Character Supervisor Sajan Skaria of the transformations. In some shots, these characters appear in blended form. Pixar film, Luca and Alberto, presented an even bigger challenge for the character artists and animators than the rest of the cast of Luca due to their ability to shape-shift.So, she quickly befriends the two strangers - Luca and Alberto - who suddenly appear in town. Giulia is friendly and adventuresome, though she does not have many local friends since she is a summer resident who lives there with her divorced fisherman father. He also owns a shiny Vespa and is the repeat champion of the town’s Portorosso Cup race, which Giulia longs to win. We spent time with them, and that quality shows on-screen.”Įrcole, a blowhard, is the town bully who likes to target Giulia. “This is one of those movies where we’re not literally just populating the entire place with a bunch of characters. In all, the artists created 56 individuals for this film, some main characters and others relegated to the background. The people in the human town of Portorosso are representative of those found in a typical small town. Grandma, meanwhile, understands Luca’s yearning for something more and secretly supports his adventurous ambitions. Lorenzo, Luca’s dad, is often distracted by his hobby of raising prize-winning crabs. Daniela is Luca’s overly cautious mother, whose number one rule is not to go near the water’s surface, where land monsters supposedly live. The creatures, which are hardly monsters, are appealing and expressive, each playing a stereotypical family member role. “The characters couldn’t stop too abruptly in the water, so they would hit a pose and then float a little, letting the energy dissipate into the water and slowly come to a stop,” Michael Venturini, animation supervisor, explains. The artists also had to ensure that the underwater animation illustrated drift and water resistance. “We combined all of these different influences to make our sea monsters really unique,” she adds. As a result, the sea monster versions of the boys are more creature-y and less humanlike when they swim. “We looked at marine iguanas because of the way they swim underwater and use their limbs, and their tail is really interesting and different from the way another type of reptile might move or swim,” says Character Supervisor Beth Albright. A more colorful species, such as a reef fish, was used for Luca. For example, a larger silvery fish, like a big tuna or barracuda, was used as a reference for Alberto. In fact, different types of fish were used as reference for the characters in different ways. Luca’s family are sea dwellers, creatures inspired by depictions of sea monsters found on old maps from the Renaissance, as well as scientific illustrations of fish from the region in addition to Japanese dragons and serpents. Pixar’s Luca - about two young teens and their summer of exploration and fun on the Italian Riviera - has a wide range of characters, some of whom live underwater and others on land. ![]()
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